{"id":1591,"date":"2013-03-19T08:43:32","date_gmt":"2013-03-19T08:43:32","guid":{"rendered":"http:\/\/har0ld.com\/playground\/?p=1591"},"modified":"2013-03-19T08:43:32","modified_gmt":"2013-03-19T08:43:32","slug":"double-lamar","status":"publish","type":"post","link":"http:\/\/har0ld.com\/playground\/2013\/03\/double-lamar\/","title":{"rendered":"Double Lamar"},"content":{"rendered":"<p>Kendrick Lamar.<\/p>\n<p>I heard about him through Ta-Nehisi Coates\u2019 blog, <a href=\"http:\/\/www.theatlantic.com\/entertainment\/archive\/2013\/01\/i-can-feel-the-changes\/266933\/\" target=\"_blank\">analyzing<\/a> Kendrick\u2019s work.<\/p>\n<blockquote>\n<p><i>Good Kid<\/i> <em>is not simply one the best hip-hop albums I&#8217;ve ever heard, but one of the most moving pieces of art I&#8217;ve seen\/heard in a long, long, long time. I sort of initially bristled at the notion of comparison to Illmatic&#8211;my personal favorite ever&#8211;but it is exactly the right comparison. Nas was able to do was conjure the chaos of inner city black America in the late &#8217;80s and &#8217;90s. Now Kendrick Lamar summons it nearly 20 years later (with more focus, by the way) and virtually nothing has changed.<\/em><\/p>\n<\/blockquote>\n<blockquote>\n<p>&quot;Good Kid&quot; is narrative told from behind the mask. Fantasies of rage and lust are present, but fear pervades Lamar&#8217;s world. He pitches himself not as &quot;Compton&#8217;s Most Wanted&quot; but as &quot;Compton&#8217;s Human Sacrifice.&quot; He loves the city, even as he acknowledges that the city is trying to kill him. &quot;If Pirus and Crips all got along,&quot; he says, &quot;They&#8217;d probably gun me down by the end of this song&#8230;.&quot;<\/p>\n<\/blockquote>\n<p><font color=\"#ffffff\">So when my white friend sees the mighty folder with the songs on my portable hard drive, he\u2019s like <em>\u201coh Kendrick Lamar I have it too, it\u2019s good right?&#8217;\u201d<\/em> <\/font><\/p>\n<p>Good. How can it be good or bad for you? Sorry if it\u2019s offensive.<\/p>\n<p>For him, it\u2019s the last hip-hop album people are talking about. There\u2019s Dre on it, white people\u2019s favorite hip-hop artist (they always will be over enthusiastic; <em>\u201cdude, The Chronic!\u201d<\/em>). It\u2019s probably been announced on PitchfuckingFork as one of the hottest hip-hop album of the year or some shit. For him, it\u2019s a piece of music <em>you have to listen to because it\u2019s hot.<\/em> It\u2019s a product.<\/p>\n<p>To me, it\u2019s a look in the soul of a young black man in Los Angeles. As I understand lyrics probably much better than my French friends now, it strikes me hard how great Kendrick\u2019s raps are. To me, this album is a blog. To me who rode through South LA, Compton, who read the construction of this city, segregation, civil rights, fights to live a normal life, the BPP and its assassination, the crack epidemic\u2026 It\u2019s powerful to have someone tell you a story from the inside, how his world functions and how fucking alarming it is, narrated with cold humor and cold facts from warm LA.<\/p>\n<p>And then there\u2019s the connection with the universal struggle black people and black men have to deal with. Remember, a Newton every four months in black Chicago. This fucking hopelessness. The system is running over our hopes, hard work, everything. There\u2019s no fixing anymore. Do what you can to escape.<\/p>\n<p>There\u2019s a great connection happening to me and I don\u2019t see where my friend is getting any. So somehow, I don\u2019t see where this album is good or bad to him. Like I wouldn\u2019t be able to say if some indie rock band is good or not as I can\u2019t really connect to this music therefore I wouldn\u2019t be able to have an opinion about it nor act like I know what I\u2019m talking about. Double standard in yo face, Harold. Which I don\u2019t care so much about, compared to consistency and making sense.<\/p>\n<p>This is where I have a big disconnection with my white world, even if we listen to the same stuff.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kendrick Lamar. I heard about him through Ta-Nehisi Coates\u2019 blog, analyzing Kendrick\u2019s work. Good Kid is not simply one the best hip-hop albums I&#8217;ve ever heard, but one of the most moving pieces of art I&#8217;ve seen\/heard in a long, long, long time. I sort of initially bristled at the notion of comparison to Illmatic&#8211;my [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3,5],"tags":[],"_links":{"self":[{"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/posts\/1591"}],"collection":[{"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/comments?post=1591"}],"version-history":[{"count":0,"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/posts\/1591\/revisions"}],"wp:attachment":[{"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/media?parent=1591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/categories?post=1591"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/tags?post=1591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}