{"id":3311,"date":"2021-03-12T19:45:19","date_gmt":"2021-03-12T19:45:19","guid":{"rendered":"http:\/\/har0ld.com\/playground\/?p=3311"},"modified":"2021-03-12T19:45:19","modified_gmt":"2021-03-12T19:45:19","slug":"appropriation","status":"publish","type":"post","link":"http:\/\/har0ld.com\/playground\/2021\/03\/appropriation\/","title":{"rendered":"Appropriation"},"content":{"rendered":"<p>It\u2019s a <a href=\"https:\/\/nelsongeorge.substack.com\/p\/silk-sonic-appropriation-or-appropriate\" target=\"_blank\" rel=\"noopener noreferrer\">great article<\/a> by Nelson George.<\/p>\n<p><em>The core audience for most of hip-hop\u2019s first thirty years, both white and black, were in deeply invested in an vision of \u201ckeepin\u2019 it real\u201d authenticity that valued a ghettocentric version of American life.<\/em><\/p>\n<p>Very true. Which would make me uncomfortable with my white friends in France, so into KRS-ONE and Dr OCTAGON. The complete embrace of Black American Man\u2019s Life lyrics seemed odd to me. True, I was into metal at that time but that\u2019s the thing: I was into the sound, not the lifestyle or trying to be part to it. I was into the heaviness of those guitars and the fact that the more groove in the sound, the better, didn\u2019t make me feel like appropriating. I felt doing my own thing rather than joining a culture. I felt like making up my own hybrid strain through a mix of genres. <\/p>\n<p><em>In fact some of the most progressive forces in today\u2019s hip-hop are more likely as influenced by Radiohead\u2019s textures than the Bomb Squad\u2019s block rocking beats.<\/em><\/p>\n<p>Lyricism is really were things are lacking these days. Although, I really enjoy Kodak Black. He has some rather smart lines. Tyler has become so great at <a href=\"https:\/\/genius.com\/Tyler-the-creator-puppet-lyrics\" target=\"_blank\" rel=\"noopener noreferrer\">opening up<\/a> and be who he is now.<\/p>\n<p><em>Later Prince, Cameo and Jermaine Jackson were amongst the many black \u201880s acts to have hits by adapting the keyboard sounds, melodic ideas, and vocal arrangements of new wave bands. I guess that was all \u201cappropriation\u201d if you wanna make it a negative.<\/em><\/p>\n<p>Well the thing is they appropriated a sound, not a genre of music. Early 80s were all about dramatically cut down production to have a very minimal, \u201ccold\u201d sound after the luscious 70s, right? It felt and feels more like an extension than appropriation to me. They built on top of that and created new music, 80s funk music with very distinct flavors. It is also a <em>\u201cgoing forward\u201d<\/em> type of appropriation. <\/p>\n<p>The thing about Mars and Silk Sonic is that they sound like something else, and from the past. It feels a little bit more disingenuous.<\/p>\n<p><em>But Bruno Mars is not stealing \u201cour\u201d music. He wasn\u2019t a parody of R&amp;B or new jack swing. In fact he was one of the only people with a mass audience keeping these styles alive. Putting out a record celebrating funk in 2015 or new jack swing in 2017 were as far from a commercial slam dunk as one could get. Black folks, both as creators and customers crave innovation, invention and the constant shock of the new. It\u2019s why black music has moved like a tractor through the cow pasture otherwise known as American culture. The search for new sounds have driven everything from bebop to trap.<\/em><\/p>\n<p>I loved that funk he put out there. I remember driving on the 101, volume up. The 24K Magic single was dope. But I couldn\u2019t shake the feeling that I wished someone else was singing. Or that the music wasn\u2019t so predictable. It lacked a little 2010s twist or something. I love 80s music, I can listen to it right now! And that\u2019s where Mars didn\u2019t search for new sounds, he looked for comfort and the labels said <em>\u201cthere\u2019s something to tap in here, that nostalgia from a generation and nostalgic envy from that other generation\u201d<\/em> and that was it. That\u2019s fine. But that\u2019s not innovation.<\/p>\n<p>I heard Silk Sonic for the first time on the radio this morning, and I couldn\u2019t tell from when it was, although .paak\u2019s voice gave me away that this was new. Yet old. It makes the music enjoyable, but doesn\u2019t \u201cwow\u201d you like the first time you hear <a href=\"https:\/\/www.youtube.com\/watch?v=aoiu3RhQ3ZI\" target=\"_blank\" rel=\"noopener noreferrer\">Cameo\u2019s She\u2019s Strange<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=wzMrK-aGCug\" target=\"_blank\" rel=\"noopener noreferrer\">Rae Sremmurd\u2019s No Type<\/a> or <a href=\"https:\/\/wearekingmusic.bandcamp.com\/album\/we-are-king\" target=\"_blank\" rel=\"noopener noreferrer\">King\u2019s The Story<\/a> (or their entire album). Those truly innovated. Those hit <em>different<\/em>.<\/p>\n<p>What I\u2019d like is a late 70sFUNK-late 00sTRAP music blend with a duet between a man and a woman, singing and rapping about our current debt life, without name dropping tech brands or celebrities, while being uplifting.<\/p>\n<p>Now, that would be the future to me.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s a great article by Nelson George. The core audience for most of hip-hop\u2019s first thirty years, both white and black, were in deeply invested in an vision of \u201ckeepin\u2019 it real\u201d authenticity that valued a ghettocentric version of American life. Very true. Which would make me uncomfortable with my white friends in France, so [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"_links":{"self":[{"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/posts\/3311"}],"collection":[{"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/comments?post=3311"}],"version-history":[{"count":1,"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/posts\/3311\/revisions"}],"predecessor-version":[{"id":3312,"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/posts\/3311\/revisions\/3312"}],"wp:attachment":[{"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/media?parent=3311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/categories?post=3311"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/har0ld.com\/playground\/wp-json\/wp\/v2\/tags?post=3311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}