Categories
Me Myself&I

Occupy Your Mind, Put A Permanent State Of War In It

I agree with Sean. People are pissed. But occupying the streets is not a 2011 method to gain power back, sorry.

I think about all these rich people. They abused the system and moved their pieces in the dark, behind, slowly. For decades. They didn’t get disgustingly rich by stopping traffic and screaming HEY BITCHES WE’RE FUCKING STEALING YOU IN YOUR FACE OH FUCK IT’S COLD LET’S GO HOME. It wouldn’t have worked as good as it’s been. They worked hard, in stealth mode-ninja style to screw us. It worked really well, I guess we can all agree on that.

Now, they are in a position of power with no equivalent in history. The same can be said about the world which isn’t working as before, more interconnected and interdependent than ever. I still remember the millions, dozens of millions of people across the world protesting the war in Iraq. It didn’t do shit. All over the world, in Israel too people are protesting about the Gaza problem. It doesn’t change anything. Protesting loudly is a method that doesn’t work well if at all in long democracies as “the West”. North Africa is fighting decades of dictatorship, it’s absolutely different. It had to explode this way, with people in the streets but also a lot of dead bodies.

“The West” isn’t in this situation anymore. We’re in full cold war with the 1%. I think that protesting and making sure that they hear us is OK but might not be the best way to change things. They own us for so long, even cutting their heads off and putting them on spears ala French revolution, wouldn’t change anything. I hope Anonymous and Wikileaks and more underground movements are fighting back. I know every single politician is a sell out. For good or bad it’s done, the system works this way. I can’t trust them more than that. Corporations and politicians aren’t going to end their relationship because we demand it. Oh, and they own the police and the army too, so.

The 99% need to erode the power, slowly. It’s going to be long. But the more we aim for independency, sharing, sustaining and giving them less money, the better. I always think that if people were drinking sodas like I do and did, none of these companies would have been big enough to fuck the entire food system, the FDA and pouring so much money to lobby politicians and giving more sugar to millions of kids who didn’t need it at all. People don’t think enough about the butterfly effect. It always seems out of touch but it’s just a matter of being consistent and thorough. Persistence is required to change, progress. The 1% knows it very, very well.

Categories
Me Myself&I

Gone

I feel stupid in front of death. Being adopted means that you need to kill your biological parents in your mind. You need at an early age to live with the fact that they are not here. They don’t exist. They sure are missing but they will never come back. They are kind of dead.

It’s so hard that a lot of adopted people go back later in their lives to resuscitate them by any means necessary. I haven’t and I don’t want to. With the luck of having people taking care of me, people who don’t look like me at all, it expanded my empathy, it expanded my will to kind of love everyone regardless you know? I care a lot. By design, nothing that I really chose upon.

I just don’t know what to say about death. I feel extremely cold about it compared to most of you. I only had one very close death but I was away from him since so many years. It wasn’t a shock, even less with a throat cancer and decades of heavy smoking. I only lived with him during my first six years on earth and then every year for a week or two, that’s not the same. The bad part was being so far away and useless. I still feel bad sometimes when I receive a private message on Facebook and of course, I miss him.

To me death creates a sense of emergency to do my best at anything I do, an urge to be the best and good and make people happy. To beat myself at being even more happier because I am alive and don’t need a lot. MinMax.

I know that anybody can at anytime, disappear. Like not just knowing, acknowledging. That’s the first rule in my life. “Hey you’re supposed to have your parents when you’re born! Guess what, not you. It happens. Sorry”. Which makes me believe that we should really like what we do and shit like that. But also makes me really precautious, sort of shy, maybe too much even if I feel confident overall. It’s hard to find a balance and it’s a weird mix.

The thing is that it will never change. I’m like an aggregator of people, families, I get really close to all of you but I don’t share enough either, like a son and a dad, a mom and her daughter or sisters and brothers. Maybe gladly because you are all fucked with these strong connections, I noticed.

I’m a monster. So I try to be a nice one like in the Pixar’s movie.


Boo

Categories
Me Myself&I

Unsilo-ed

I was about to install Disqus comment system because it’s neat and everywhere but then, I realized that they would host my blog’s conversations and have control over it.

“When you’re not paying for a service, they own you” would make a good movie line. I want to keep control over my stuff.

I didn’t join G+ because Facebook is enough. I am not doing this shit all over again with another company.

Google Reader. To me, it’s the worst of them all, as big G knows everything about everything I have a big interest in, all the time. I was very reluctant to use their service but had no choice if I wanted to sync multiple devices. Peer pressure (go on Google Reader dude! I love Google!). Plus they bought Feedburner, now we have fugly feedproxy.google.com or gross utm_source=feedburner& instead of nice HTML links. Fuck Google Reader.

RSS is barely use by the Internet -like 3 or 5% of people are using it- though it’s used by highly influential people. It must be fascinating for Google, much more interesting than what Facebook gathers when your cousin shares a stupid video or likes that you were drunk last weekend.

So there’s Tiny Tiny RSS which is nice and cool but hell, this is so rough. I dream about a OPML file on my server with clients (desktop, mobile) connecting and syncing to it. That doesn’t seem that crazy, does it? Well it doesn’t exist so I guess it’s crazy.

I almost signed up for Spotify. Peer pressure; “125 of your friends use it!” bullshit. I signed up on Facebook through peer pressure too from people not using it at all since then. At least it’s very useful for family stuff, especially when distance plays a big role.

Diaspora was meant to be a nice replacement but it went nowhere. I don’t get it. It was great. Tabs used as filters is the best shit ever. Every single browser does it but wait, I just saw that they killed that feature on the website. Anyway, they seem back on track for something, stay tuned.

Flickr? Well I pay so I own my stuff. Paying automatically creates a much better trust. I just wish they would evolve much faster than what they do now. There’s no real alternative but they really have a hard time evolving, it’s painful to watch.

Twitter? All the competition died. I found status.net but like Diaspora, it’s pretty weird. An open source software that does Twitter should be doable or am I missing something? I love Twitter but I don’t understand what they do with it, they still have technical problems, they focus on pictures (???), don’t want developers to create clients even if it’s what made them, there’s nothing that makes sense. I still can’t have access to the thousands of tweets I sent like I have access to my six years worth of blog posts. Fucking silo.

Categories
Me Myself&I

Another week

The number of things that can happen in a week and spin your head a thousand times.

Fred L. Shuttlesworth died at 89. He was a civil rights movement fighter. An excerpt of the NYT article about his life fighting over stupidity:

In one instance, on Christmas night 1956, he survived an attack in which six sticks of dynamite were detonated outside his parsonage bedroom as he lay in bed. “The wall and the floor were blown out,” Ms. McWhorter wrote, “and the mattress heaved into the air, supporting Shuttlesworth like a magic carpet.”

When he tried to enroll his children in an all-white school in 1957, Klansmen attacked him with bicycle chains and brass knuckles.

Derrick Bell died at 80. First black professor at Harvard Law School. Article here.

In 1980 he left Harvard to become dean of the University of Oregon School of Law, but he resigned in 1985 when the school did not offer a position to an Asian-American woman. After returning to Harvard in 1986, he staged a five-day sit-in in his office to protest the school’s failure to grant tenure to two professors whose work involved critical race theory.

 

My brother-in-law Sean Wilson died at 38. I don’t have any NYT article for him but he was a good man. Generous and loved by everyone. He will be immensely missed.

I guess it stops here as my grand father has not yet passed away but fuck, he’s so close to it. I know it’s going to happen soon.

 

Of course, the news of you know who died and made the headlines all week, really annoyed the hell out of me. That was just gross, too much, ridiculously too much, you all disgusted me so bad over this shit. Fuck. Decency Jesus fuck, decency. You don’t have a fucking one. Of course I know, it’s just that the timing wasn’t good.

A society overdosing on shallowness, glorifying fakeness and worshipping a freaking, useless social status through devoted consumerism and unlimited love for a dictator bitch. I mean, we should just all die in a fire right now, shouldn’t we?

I was kind of sick today, I thought it was the 20°C drop in temperature but it might not be the only thing cramping my stomach.

Categories
Audio&Games

We need a MIDI engine III

– The programmer situation

Let’s face it, programmers don’t really like sound, except at high volume in their headphones with some coffee on the desk. Two profiles I met in ten years: the dude who’s making a custom audio engine and the dude who’s implementing the content and who doesn’t really give a shit about sound features. They usually implement everything else too, sound is just one.

With these profiles, game audio ended up with libs doing everything for the programmer integrating content or on the other side, we focused on stuff like 3D audio for programmers who love math. It could be fine, I mean it’s fine in some ways. But it is so not enough.

– The designer situation

I stumbled upon this Gamasutra article about the 2012 GDC game audio track. It says a lot about the state of game audio and shows how most composers just don’t want to put their hands in the dirt and challenges of game design and game audio.

How important is it to be a "game-only" musician or sound architect in today’s industry, or is the market increasingly cross-platform across TV, film, etcetera?
Kenneth Young: I don’t think it’s ever been important to be "game-only," but I do think it’s very important to understand the challenges that games and interactivity pose. To that end, because the general complexity and sophistication of games is increasing, you’d think the market would favor those people with experience. And yet there is a trend for film composers with zero games experience to score AAA games…

So… It’s not important but games are getting more and more sophisticated and so you would need less and less game audio experience? It doesn’t make sense. It is important to be “game-only”, it’s just not trendy. That’s what is happening. Composers don’t want to wear that nerdy hat, and game directors fantasize on their favorite music scores. Nonetheless, there are a lot of games outside the AAA thing which would benefit the experience of a game-only-or-pretty-much composer. Also, understanding game development takes a while, it’s not just a matter of knowing what audio engine to use, it goes deeper and there’s no limit to that. That’s where we don’t dig enough, that’s where I want to go.

I’d love to see a guy like John Williams do an original score for a video game, but he would need a seasoned audio pro from the game industry to put it all together, get it interactive, and make it the best it could be.

Well then, John Williams’ music is barely samples that I would assemble to create game audio. If I deconstruct music and reconstruct it to match a game, mechanics and flow, who’s the main audio artist/craftman/designer? It’s me. Assets then just don’t matter that much, it’s all about execution, implementation. For a game, you much more need the audio guy who understands how games work than the one who sold millions of CDs. Because the latter will never get it while the first can improve his composition skills.

Like pretty much all the 80s-90s Japanese composers who are like gods today, they started from very little experience on their composing skills, and got better with time and projects. Koji Kondo didn’t even have a demo tape!

Another social economy thingy: a composer who has dreams is going to try to stand out much more than a composer who already had all the freaking awards in the world. It’s about freshness.

But this is the best part of this interview:

What do you think are some unexplored avenues for games that rely heavily on music or sound?
Brian Schmidt: There are definitely unexplored — or lightly explored — areas of game sound. For example, tightly coupling audio with physics, direct synthesis — the physical modeling of sounds. We keep hearing that the power of these new consoles may lead to a re-birth of the MIDI synthesized score, perhaps with instrument-based controllers as input devices to obtain more performance nuance than is possible with keyboard input. And to this date, by far — by literally an order of magnitude — the most attended talk at GDC by a game composer has been Koji Kondo, who does MIDI generated music for his games — he believes it essential to the aesthetic.

Direct synthesis and procedural music or FXs don’t let you have a good control and always sound kind of the same. And Koji is absolutely right. MIDI generated music allows full interactivity, what argument do you need after this? Koji has the most recognizable music themes in the world, maybe ever, he does MIDI synthesized scores and you don’t want to believe him? It’s not just the music he makes, it’s the tight integration with the gameplay, the aesthetic of the game, the all thing makes his music a much bigger, better thing than just notes following each other. This magic doesn’t happen otherwise. Grim Fandango is the exact same thing, it’s not just about the fact that it’s good jazz music you never hear in games, it’s the beautiful iMuse system that makes it such a seeming less experience with the rest of the game, mechanics and visuals all working together.

It’s beautiful. This is why the entire audio system (assets, tool chain, engine) needs to be tight. And for that we need flexibility, we need to reduce friction with annoying heavy wav files, we need to be able to iterate fast and find cool stuff and tricks. We need MIDI.

But even the more global music world has a weird hate/love relationship with MIDI. I mean, every single artists out there from Radiohead to Bieber, use some. All of the audio softwares out there work with MIDI or are heavily based on it. MIDI is 30 years old.

And yet we still don’t have built-in MIDI in guitars for example (I mean at an affordable, decent price) and it’s not really about anything but the old “MIDI is not real music or it’s like cheating!” mantra. It’s like people saying .svg is not graphic because .tga is. Seriously, it’s that dumb. Feel my despair. People love to segregate, it’s a human social disease, seriously.

But back to the game audio world. No MIDI engine except super expensive MILES Audio and in-house engines, like at Nintendo.

OS are a mess. Linux audio is a mess, so is Windows. But both can/could have a built-in MIDI engine with low latency, no doubt.

Even worse, the web and Facebook. We are getting backward there. Flash is horrible for some stuff but for audio, it’s just unbelievably bad. You can’t do nothing but play/stop/mute/fade. HTML5? Same shit plus ridiculous problems with codecs and files, inconsistency through browsers… And the brand new web audio API from Google just does the same stuff over and over again:

    Spatialized audio supporting a wide range of 3D games and immersive environments:

    • Panning models: equal-power, HRTF, sound-field, pass-through
    • Distance Attenuation
    • Sound Cones
    • Obstruction / Occlusion
    • Doppler Shift
    • Source / Listener based
  • A convolution engine for a wide range of linear effects, especially very high-quality room effects. Here are some examples of possible effects:
    • Small / large room
    • Cathedral
    • Concert hall
    • Cave
    • Tunnel
    • Hallway
    • Forest
    • Amphitheater
    • Sound of a distant room through a doorway
    • Extreme filters
    • Strange backwards effects
    • Extreme comb filter effects
  • Dynamics compression for overall control and sweetening of the mix
  • Efficient real-time time-domain and frequency analysis / music visualizer support
  • Efficient biquad filters for lowpass, highpass, and other common filters.
  • A Waveshaping effect for distortion and other non-linear effects

Note the “Extreme filters”. God. Hi, programmers who sure will love to challenge themselves with these! But as a designer, I don’t give a damn about 3D -we’re playing in a browser on a laptop, not on a 5.1 setup with a 50 inches TV- and a convolution engine, previously known as reverb? Meh. Of course with all this, you could make your own limited web MIDI engine but… Sigh.

We don’t need dynamic real time mixing. We need dynamic real time composing and we are very short on tools to do that.

Somebody give me a high performance Fmod-like engine for FXs, a DirectMusic-like engine for music, wrap it all in a nice interface that can output for any platform and game audio designers will rise, as your game will sound and feel like nothing before. Actually, Fmod only needs a softsynth layer like Fluidsynth or TiMidity++ and more complex MIDI bindings but otherwise, it already plays .mid.

Fuck. It’s so messed up.

If you are a programmer and love to build tools, hit me the fuck up so that we can start something about all that and get famous or rich, or both.

We need a MIDI engine I

We need a MIDI engine II