Azealia

I think she’s amazing and I’d totally love to produce some tracks for her.

There’s something rare about miss Banks: she’s pure intersection. At times bad bitch, at times cute naïve girl. She innovates and next second she’s timeless and classic. The mix of house, hip-hop R&B and garage punk is hers. She masters that shit. She has her own way of eating words, changing her accent, inventing meaning and breaking lyrics convention while empowering and dissing over dance music. It’s overwhelming, dense and I love it.

I feel her when they compare other acts to her energy and skills: please don’t? She’s artistically way better.

Her social media stuff? Whatever. Social media is about getting engagement and lights on you too. And there’s the circus of media engaging people over what the “crazy” Harlem artist said, profiting. Read about Marvin Gaye’s late personal life and see if you can still hum his stuff.

What’s a bit annoying to me is her output is scattered. Some producers don’t get her and the track will be OK but not bang. The all remix/EP then album re-using some tracks from those, that’s annoying. It’s hard to make consistent albums though. And, it’s probably hard to keep a direction with a multi-faceted talent like Azealia. But also, labels and contracts. That shit is crazy and will delay and water down your output.

Treasure Island, her last single, is dope af.

Leave a Reply