Categories
Audio&Games

The arcade but like a comic book store

Just read that article on Why the Comic Book Store Just Won’t Die. I kind of extrapolated to computer games stores. Both thrive on niches and fandom. Computer games culture is 90% online now and there are many reasons to make that culture more of a local, real life thing.

So we had arcades back in the day. They were cool but dirty and exclusive, the business model doesn’t work with today’s world.

NY in the 80s 355
Bros and sticks

There has been a resurrection of arcades as barcades, which are pretty fun. I went a couple times to the one downtown LA and it’s great but in a way it doesn’t cover all computer game activities. It’s not centered around game culture, it’s using it.

What’s so great with comic book stores it’s their diversity in content. Anything for anyone, curated by unique humans. I think we need to make computer games something we can discuss and try outside our devices in our living rooms, browsing the internet while machines stupidly try to understand what game we would like to play.

Computer games shouldn’t be only played drinking beers in the evening. We play anytime. We should have computer game stores where we can chill and try out games with headphones on, really enjoying the process of trying something new, sharing impressions with other players directly and not through a text box and threads.

It shouldn’t be about finishing games so much than it is about enjoying playing games and ultimately buying them. Tons of comics and books are read and not finished by people all the time. Some games are way better once you’re invincible. What I’m saying is, to get a “better” computer game culture we need to focus on play more than win, hardcore punishment, twitch reflexes, etc.

If I could have a computer game store here in LA… The main floor would be dedicated to discuss and play games casually in bean chairs and classic desktop settings. Downstairs would be the action room: a 10 seat LAN setup (CS:GO), a big console setup for AAAs and a couple of MAME arcade machines meant to be brutalized like in the good old days (standing up and mashing those buttons is part of computer games DNA to me), maybe a couple pinballs because those are the shit.

This way I could talk Minecraft mods with a son, install that Contraption Maker game on a mom’s laptop, recommend Snakebirds or Gunpoint to a daughter, talk LAN games strategy with teenagers or what it takes to make that AAA game look like that or how the demoscene in Europe influenced tons of developers in the 1990s hey come back, I’m not done!

Now that’s culture. We need real, non-digital stores like this.

Categories
Me Myself&I Music

Mad and Furious

Composed and produced October 2014.

Categories
Audio&Games

I don’t think you are

I wonder if I keep coming back to wanting to play Counter-Strike and old school shoot ‘em ups because those games taught me to be a much, much better navigator in crowded spaces.

I’m not in the mood of playing Bloodborne because oppressing atmosphere+dying every 90 seconds is not what I want when in real life it’s open season on black people. I can’t be in the mood.

Going from there, I feel like escapism is… Ambiguous. Games are so good at that though. We just “try” and then it’s three, four hours later. And then we’re just kind of confused and weirdly satisfied?

The Indie Soapbox this year had Jenova Chen wonder about what’s going on with games and if he is asking too much, wanting them to be more than what they are now.

You know something with a big, positive impact culturally and socially? Really memorable, across generations games? Are we doing this with or without competitiveness? How? Very difficult questions to answer.

Categories
Me Myself&I

In progress

It’s been a little intense in the past few weeks. Things got cancelled, people quit, I didn’t get a job that I was eyeing hard and as too often in this economy or world I don’t know, I just don’t know where I failed, where I can improve. Things looked pretty good, on my way to the third interview aka the Final Stage but yeah, nope. There will be other opportunities. Time to regroup and breathe.

Still watching or not watching those videos of black people getting murdered, brutalized, killed. Everyday. My mind becomes an anechoic chamber. Not a single white person talks to me about that, I can tell it’s not even on their radar. Not even a little, two minute chat where I can hear a white person tell me “yeah, this is fucked up” so that I don’t feel like we’re against each other. Black people are on the edge and you keep looking away. I feel like this summer is going to be crazy and desperate.

Of course this stays here or locked up in my mind and I just act as if all of that wasn’t happening most of the time. Sometimes I wonder if it’s a good thing to lie to and convince myself that everything is cool, everything is awesome when I have tangible proof that it’s fucking not.

Sorry! I forgot to breathe.

The other day:

Stuck dad
Yes, I stopped and helped him too.

That clueless old white man got his car back on the road thanks to five black and brown young people pushing his ass back in the parking lot. I thought it was consistent with the world we’re living in.

Categories
Me Myself&I

From good design to bad design to business

I just saw Windows 10 Mobile screenshots and oh god no.


8 on the left, 10 on the right. The blue squares don’t stay this way once you have a couple pictures. They show up and make it look good, son. Personally, the 80s desktop real file looking icon has to disappear. 2015 ffs.

I have been using Windows phones since early 2011. The stark design and simplicity of the OS have been fantastic to me. Not only competition never looked attractive –kind of a first time ever with MS products-, competition started to seriously look like my phone with iOS 7 and whatever Android version brought the square and flat design all over the place. I would stop on gadget blogs and be like “wait, is this on WP?”.

I think the WP design team was far ahead and still is in their vision.

The Mad Men & Women of the Windows Phone design studio
Yep 20 people, 8 women. Almost parity. I don’t know, it feels right.

Good design makes a product useful.

All the built-in features of WP makes it extremely useful without downloading apps, out of the box. It is good design to integrate services like they did in the people hub, how the Facebook chat is baked in –you don’t have to use it-, the possibility to update multiple social network at once etc. Think about it: no app to search for, no website to visit to look at the offer, no app to install, no app to learn, no app to update. It’s just a login/pwd and there you go, your content, contacts etc. Imagine today something like Ello instead of having to use a terrible web app you would just login and update on your phone exactly like you do with other networks.

This is good design.

Of course, business and strategy wise that’s not making anyone happy but Microsoft. And the user. Because partners complained and don’t want to depend on MS, Microsoft successively took those features away with 8.1 and now Windows 10. So you have to download “official” apps now, for everything.

I haven’t updated yet.

Good design helps us to understand a product.

Icons are stupid. There, I said it. Icons regardless of how good they look, always have to be guessed. Or need text. WP went brutal on this: TEXT. No visual distraction. It’s very bold but one thing is sure: you know exactly what you’re doing and what you’re clicking. It is honest. Good design is honest, doesn’t try to impress you with busyness.

Good design is unobtrusive.

Which is not the case with notification centers and red dots of FOMO and battery %. That shit is obtrusive! It is telling you constantly “watch me, hey, hey, look something happen, look bright colors, emergency hey hey”. WP design is all about opting in. Yes, you have to choose to unlock your screen to look at notifications. Immediacy is not the only thing that matters in the world, far from that actually.

Good design is as little design as possible.

And that’s where I see WIndows 10 going all Frankenstein annoys me. I understand the challenge: make something different, that will make both developers and users happy. Developers and users are used to iOS/Android and Windows pre 8 UX, MS needs to cater to that insanely diverse and massive crowd. Developers want/need to code as less as possible. This is also consistent with Microsoft’s will to have their apps on all platforms regardless, since the 1980s. So, design compromise for a billion reasons.

The problem is design kind of has to be something you impose without compromise. If you start following trends that makes you look weak, usability gets confusing and people think you are a follower. To create trends you need to stick to them. To gain respect you need to stand still, show interest in people who understand what you’re doing and improve on their feedback. Ain’t happening.

It seems clear that since Steven Sinofsky left after Win8, design centric MS wasn’t into design so much anymore. People as usual with innovative things, hated Win8 by default (remember all the people hating the iPhone’s lack of buttons?). But if you look at forums now, tons of people are as usual with innovative things, liking Win8. I’ve seen people apologize!

It just needed time and now that the public is getting used to it, MS dilutes something they had that was unique, discerning.

Timing is a bitch and ultimately, Microsoft wants market share more than identity. Not sure it’s the best bet, good design is hard. They mostly had it.

Categories
Music

Sticky Intro

Composed in November 2014.

Categories
Audio&Games

SWG by Raph


Yes, computer generated landscape.

Raph Koster has been writing about Star Wars Galaxies development circa 2000-2003 and it’s a fantastic read (more).

First impression, the amount of challenges and design issues to deal with and solve is staggering. We’ve been spending a lot of time talking about polishing 2D “me-too” games on mobile the past few years and I had forgotten how complex and utterly insane -giving the technology available at that time- it was to develop a massively multiplayer game in 3D, for what is probably the biggest IP in the world. It’s mindboggling.

One of the best post mortem I have ever read. I now understand why he stayed silent on the subject for over a decade.

I started to work in games in 2000. MMOs were still fairly new but extremely promising in terms of game development in that they were demanding and that would be good career-wise: shit ton of work for years to come. I think that’s when the term game industry made sense. Video games had been a juicy business for decades but now they needed hundred people teams, which was quite a new thing.

For better or for worse, it didn’t happen this way. You can read in the post mortem how a couple decisions –tied to constraints- can destroy years of work real quick. I think Raph’s Jedi ideas were right (NPC only or “secret unlock”). I wanted to play SWG. But once Jedi masters were everywhere and based on grind, I didn’t even bother try the game.

Those blog posts show the intrinsic relationship between design, code/tech and intent and why you should stop reading game news websites and grab RSS feeds from developer blogs. Real shit is going on on those (Cliffsky about launching a game these days for example).

Categories
Music

Tidal

“As is the position of the artists on the stage. I’d be much more impressed if they all ankled their deals, got rid of the major labels and went it alone. That’s why they’re not making much money on Spotify, not because of the free tier, but because their deals suck. But these same deals apply on Tidal! They’ve got to license the music from their bosses!

That’s where it hurts. Those massive stars don’t own their own music and can’t make money off of it as they’d like to. You might have a shop but you’re still a peon, my friend.

It makes me think of Unlocking the Truth and Sony. I hoped they would not fall into this industry mess but they did and they’re already fed up with it.

We have tons of examples from the past century, century of how the music business is quite a nasty beast. And yet they offer me $1.8M tomorrow for a couple albums, I don’t really know how I would say no. But then again:

Read The Fucking Contract. Resist. Think long term. You signed to get fucked in the end. Classic.

Categories
Me Myself&I

Hollyhock house

So I visited this bitch yesterday. I’m still processing it.

My favorite part of FLW’s work is the dynamic and mystery. You never know what the hell is going on from the outside and you have no idea that it’s so soft (wood) inside when the exterior is so brutal (concrete). This long outside corridor with at the end front doors made of concrete opening up to a low ceiling entrance I mean, you have to live it to understand how sanctuary-ish that shit feels. I wonder if it gets old.

As much as the concrete doesn’t look so great when untreated, inside with its particular soft green color mixed with some gold, connecting with the wood… Concrete can be very cozy. The craft and detail cranked to 11 on every single item, surface in every single room definitely makes it a historic cultural monument. It’s amazing.

The main “attraction” is the living room:

The mantle’s art is awesome. Water was supposed to run at the bottom of the fireplace, connecting with outside ponds. The skylight was providing wind and light so basically you would have all the four elements in one place: Earth (mantle) Air (skylight) Water & Fire (fireplace). All those design decisions materialized, it’s so cool to see.

Sounds nice but obviously having a massive running water system in 1920 was insane and still is in 2015 in L.A. They never used it. The room is so big you barely see that there’s a hole though.

$7 to get in. Not a lot is open to public unfortunately, but it’s a good initiative in this city where everything changes so fast. Preserving and pondering guys, it’s important too.

Categories
Me Myself&I

I know everything

I know everything. I know we’re nothing I know we’re everything

I know we’re fucked up I know we’re greedy I know you want that property

I know everything, even how Lord of the Ring warns you about that bling

I know rent doesn’t exist, I know in some ways we have no heart

I know we could. I know we should. I know we would

I know most people can’t see long term, I know they still want those kids

I know we have enough to provide for everybody, I know we fake scarcity

I know them plants and trees are ready to save you and me

I know technology would do the rest if only

I know everything, tits lips and p-spot

Hemp, passive gains and how much Dubai costs

I know God is a fallacy, I know all you need is empathy

I know everything, system theory pattern recognition, meat salad and St Emilion

I know white people can’t deal with Nature, that Queen who’s refusing their future

I know women can’t deal with that endemic sense of entitlement, we vile creatures

I know we can do better, I know we’re trying harder

I know persistence is all we got

And I don’t know where it’s going to take us

 

(inspired by the verse 2 of Kendrick Lamar’s Momma, written in one shot)