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Me Myself&I

Slowgrade

Great article on e-waste. One thing though:

“Who is to blame? Consumers certainly have a role to play in the increase of e-waste—they’re buying the goods, after all. But manufacturers have given people fewer and fewer viable ways to keep older electronics functioning effectively.”

Un-true. Weak. We update devices when they’re perfectly fine, we don’t have to. A few days ago I charged my 2011 dusty phone, it works like a charm. I just checked the battery, the phone is still on with 60% of juice. We lie to ourselves as much as manufacturers plan obsolescence, let’s be honest.

You still can text and tweet with a Blackberry and you will get the same results. Technologically speaking the world runs on old ass protocols and low-level things that haven’t changed in decades. We do not need to update. We do not need to upgrade. 5 year old laptops are still powerful enough to do just fine with 99% of what people use computers for. Millions of computers less powerful than your little sister’s phone are running our world without sweating.

Yes, it will be a tiny bit better with the freshest silicon available but in the big scheme of things, it’s not important. Outside the existential question about what happiness is (is it a new device every 12 months?), how much we waste is a bigger issue and again if you have some kids you’d better curve your upgrade habits down a bit because at this rate well, I kind of feel like we are destroying everything right now at a wonderfully fast pace so… We’ll see.

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Me Myself&I

GTF Off your damn phone

Ian was writing four years ago about the cigarette of this century.

The point is not whether technologies like smartphones actually make us more or less connected to one another–that’s a cheap, pat question whose answer is best left to trade books and TED talks. The point is that technologies like the Blackberry change our social fabric in ways that we often cannot see, and therefore cannot fully reason about. McLuhan argued that technologies can never be fully grasped in the present, but only after we establish some distance from them.

I am doing that as much as I can. It annoys me because it’s easy to not have your phone around you to look at and yet, I struggle. Which is weak. There’s always something to look at right? No. That’s what completely scares me: we often look at our phones for no reason, pulling to refresh some content we already saw etc. We’re completely in the slot machine psychology here.

Recently I forced myself to have dinner without looking at my phone, without having it with me in the kitchen. It’s weird but it’s fantastic I actually enjoy my food far more. I feel much more satisfied.

Someone might say that reading books does the same disservice to your neck except that we don’t read books and never did for hours everyday like we do with phones. The convenience is right here, one minute that becomes five minutes at a time.

Like smoking, I’m not against it but let’s have some self control/respect.

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Me Myself&I Music

Compilation

MUSIC BY ME, NO FEAT 4 BUCKS LESS THAN A MUHFUCKIN PUMPKIN SPICE LATTE YO COmE ON NOW

Bandcamp is the shit. Just when I’m cleaning up my account, they announce that you can pay with any credit/debit card now. Yup (probably because they didn’t want to get in bed with banks but hey, that was a big issue).

So cancel your Spotify sub and get on that Bandcamp goodness. This is how music should have been sold online since 2000.

Peace,

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Me Myself&I

Man

Last week we get killed in the streets

On debates we’re a bullet point, a statistic

Yesterday we still get killed for no reason

While some people are all over a Mars mission

It’s hard sometimes.

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Me Myself&I

IRC looking good right now

I’m thinking a lot about IRC these days. That would be cool if I could have my network spread out over a few channels. Communicating without being sniffed and tracked down sounds like a dream in 2016.

Reading its history is interesting. Of course it was messy. I think hosting companies should offer IRC server features or should have been doing that. Imagine you buy your domain name, your presence on the internet and you can not only put your stuff in there share photos and blog posts but also chat freely. Have your friends over. Kick/ban idiots. Slap your dad around a bit with a large trout.

I’m trying to think of an internet without paranoia or ads or cookies because fuck, that’s missing these days.

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Audio&Games

Rule number one of game business there are no rules

Reigns, a mobile game that you pay for before playing it –which is a business model that isn’t supposed to work at all anymore ever again, so they say- has sold over 600,000 units in a month. $2.4M.

RPS was running this story last week: Why A Million People Still Play Multiplayer Grand Theft Auto: San Andreas Every Month and it comes down to three, simple things:

– No competitive behavior. People just go around, role-play and race. Racing is competitive but in a very light way compared to being constantly killed by bored, kind of psychotic people.

– It runs on old ass computers just fine. Game developers feel grossed out by old hardware I guess but machines are extremely resilient. I’d argue they are more and more because we underuse them so much (your quad-core CPU has probably been under-employed most of its life).

– Freedom+Bottom-Up design. Players do whatever they want, ask for features to scripters, who in turn make them available to players. Repeat. Not having to deal with marketing, PR, IP holders is a blessing to game development.

At the end of the day you need to craft something that people really want, something that you really believe in. Forget trends and media strategy, trust your feelings have good money on the side if possible, and ship.

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Me Myself&I

Another wall down

So Google just presented Wavenet, an AI that recreates human speech more accurately than anything before. As a sound designer I am used to speech synthesis and have been playing with it for the past sixteen years. the last big innovation was around 2000. This is something else.

Cyborg and Speech Synthesis

This is so close to a real voice I feel in deny. Convincingly faking a human voice to the ear the most unforgivable, most sensitive organ we have –and which is totally shaped around human voice- is a tremendous achievement. Like, I can’t believe it it’s pretty much a done deal.

Look at yourself and see how you react to the voice or sounds of your loved ones. Yeah, a computer will be able to make you cry really soon. Forget virtual worlds and visual cues, audio triggers emotions like nothing else.

Same week, Microsoft just announced that they have reached a milestone in speech recognition.

Both sides of the equation are being solved as we speak.

Obviously first thing I think about: jobs. It’s ridiculous how many jobs are based on boring ass discussions, bam, gone. The fact that now robots will be able to understand us easily AND answer with natural voices is FREAKING ME OUT. Jobs where you needed a human to interface between people and machines, ba-bam, gone. Voice is why you trust your doctor. You’ll trust a robot with a sulky voice even more.

As Brad Wardell is writing:

The new uber class (calling them rich isn’t even the right term at that stage) will be way ahead of the mob. They’ll have machines to protect their holdings, homes and families from the rabble. So those who think “they’ll have to do something for everyone else or they’ll be a revolution” think again. Don’t assume a universal basic income is a definite.

Of course no techlord be MS or Google or Uber or Facebook or Amazon are warning us, they’re too busy replacing us already.

If you have kids or plan to have some, you’d better get the discussion about UBI going right the fuck now.

I can’t shake the feeling that we’re arriving where we wanted to be but that it’s also an abrupt end to things as we know them…

Categories
Audio&Games

Beat ‘em up 2016

Beat ‘em ups were and are my thing. I just think that the concept of going left to right beating people up is enjoyable and less brutal than first person shooting which is a good thing, probably? It’s relaxing, exhilarating, doesn’t demand a strong commitment in time or skills. That’s good entertainment.

I think that type of game would be great in lots of ways these days: a beat ‘em up where you go after cat-callers and rapists a beat ‘em up where you play the new Ghostbuster cast, a beat ‘em up where you punch politicians in the face before escaping the white house I mean, the list is endless.

I was there when they were popular in the arcades. A few notes on what they need to have in order to become a classic.

CAST

Look at Battle Circuit, the last Capcom beat ‘em up in 1997: you can play a woman in leotard, a Fantastic Four looking skinny dude, a carnivorous plant, a little girl riding an ostrich and a cyberdude. Maybe that’s a little extreme but you get the point, representation and diversity are important because it makes your potential audience happy. Don’t just have a dude and dudette, with the dudette being “fast” and the dude “strong”. We’re way passed that. Mix it up and go nuts on character design.

AESTHETICS

The beat ‘em up golden age is the 90s. 16bit graphics, 4096 colors. So I’m always kind of annoyed when I see that most beat ‘em all avoid that style for another “8bitHD” style, monochromatic and sad. The 16bit, Paul Robertson style is where it’s at. Bring me some colors, bring me some dynamic.

Audio is insanely important. Punches and kicks need to make you smile and feel like you’re actively beating the fuck out of those punks. Streets of Rage does beat ‘em up sound effects admirably. You need that high pitched, slap sound. That’s the feel good, hilarious, crucial part (Castle Crashers lets you abuse the slap sound as much as possible). SMACK THAT BITCH UP. Mid 90s is when we started getting sampled voices everywhere, so you would end up in a satisfying flow of punch and whoosh sounds, short screams and other digitalized cues with a punchy soundtrack that all together made the experience what it was. You need those whoosh sounds when you’re not hitting anybody, it helps solidifying the experience. Mother Russia Bleeds fails quite hard on the sound side when it could elevate that game soooo much.

DIFFICULTY

It has to be perfectly possible to beat the game on easy almost first try. It’s about having fun, not about spending hours you guys. Once again Streets of Rage and Castle Crashers do that perfectly –and that’s really hard to do- you can beat the game on easy or ruin your fingers on hardest. Health bars on all enemies is an awesome convention because it discreetly teaches you how to optimize your moves to get rid of them: two punches and a head butt or one uppercut and a kick in the face? And of course on bosses, it makes you realize how long it’s going to take, as well as putting pressure on you once you know you’re about to win. Not giving that precious feedback to players to force them to be as perfect as possible regardless is bad design. I don’t play beat ‘em up for a damn score or “be the perfect beast”, I play them to have a good time.

IT’S NOT THAT DEEP

I think beat ‘em ups can be serious in the theming –if you want to- but must use some kind of comedy in the delivery. I mean, it’s like any entertainment: violence is fine but you have to justify, wrap it into something that makes it less about just violence. I’d love to play a beat ‘em up where the plot is just you and your friends going to the beach and you end up in a riot beating up cops, rioters, scientologists and priests, destroying SUVs and fixies, sucker punching idiots on their phones, trying to go through to get there before sunset. The end would be like Inside’s end and that game would be the shit.

Beat ‘em ups could be so many things.

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Me Myself&I

The Simpsons

The Simpsons is so ambitious, intimate, classical, experimental, hip, corny, and altogether free in its conviction that the imagination should go where it wants, that to even begin to explain all the things The Simpsons is, and all the things it does, you would need an immense Venn diagram drawn on a football field, each circle representing different modes of comedy.

On the best TV show ever.

It went to more places—tonally and topically as well as geographically— tackled more issues, and told more jokes about more subjects than any comedy has before or since, and at its peak (roughly seasons 3–12) did it better than anyone else.

Those seasons happened right when I was a teenager in France, where the show aired too. It is just great memories of talking about that joke, that line, in the last episode during a break at school. What I remember being struck by was the amount of self-consciousness, how the writers would go on US culture and society. Could be hard or just poking fun at it but it was constant and surgical. France’s irreverence has always been pretty corny and basic, or its satire is super brutal going for hard themes and strong images. There, humor and criticism were happening through so many angles and layers, it was inventive and great. Balanced. I couldn’t get enough of that. Same with Futurama.

I just read that Matt Groening grew up on the west coast with his parents being both half-Europeans. Considering how strongly universal the Simpsons felt –despite being truly Americans- I am not surprised.

I thought that liberal, agnostic take on the US and the world would spread because it is so effective creatively. So many places to go.

It did not happen but we still have 596 episodes –and counting- of that sitcom.

The Simpsons, man. One of the only thing the US can be proud of univocally.

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Me Myself&I

Parsing and mind to mind

Dave Winer, one of the blogging godfather wrote this week:

My reason for writing is not just engagement, but also to get mind-to-mind connections.

Medium people who write 200% for engagement, you need to chill.

Writing is not even just to get mind-to-mind connections to me, it’s a fantastic way to play “parse my thoughts and make them readable” which is a useful thing in life. Those ideas that go back and forth, it’s really great to lay them down and move on and I’m always surprised that people find that kind of weird, while they have no issue talking to a stranger about how they feel for years to get a hold on themselves.

It’s Labor Day and I’m going to make more coffee.