Categories
Me Myself&I

MerryChristmasHappyNewYEar

What a crazy year.

It feels even more crazy by standing here, between Christmas and New Year’s Eve in underwear in sunny Los Angeles when I always been calling names the lack of sky in Paris and the fucking cold weather.

I’ve been busy transferring at last this blog to a WordPress engine on a new server. Nothing should change for you but I’ll let you know if it does.

–insert paragraph about how it’s pretty complicated to move 1,000 posts from Windows Server to Apache and how I did it all by myself with the help of the interweb-

Also these Steam sales are insanely satisfying. I hope Valve will release the numbers because they must be the best ever.

But back to these crazy twelve months. I think I got enough emotions and ideas to create and build stuff for the next decade.

Peace out, reader. And have an outstanding next year.

Categories
Music

Hear the producer

The original beat and lyrics from Fat Joe’s Represent album.

The DJ Premier’s version. That is all.

I mean it’s just so vastly superior in every way, yet it’s exactly the same lyrics, the same voice track. But the work in the intro –always does much more than what you think-, the perfect blue tone provided by Primo’s mad sample surgeon skills,  the groove from the beat, mixed with Fat Joe’s voice… I don’t know, all of sudden the shit is definitely not a joke anymore.

Somehow –oh wait, maybe it’s because I’m producing music too- but somehow it’s not great to see that the dude talking or the girl singing gets all the credit while the one building the sonic landscape actually IS the true craftsman/craftswoman pumping blood in a song. Always.

For real.

Categories
Me Myself&I

WikiPRfail

There’s so much going on about Wikileaks. It was going great, bringing transparence through a thick coat of BS, revealing what we could guess or what we were totally suspecting. It was nice in terms of public image for the White Knight.

Obviously with Julian Assange’s sexual assault charge it’s less the case. We don’t know everything yet but it appears that the Whitemare like Jon Stewart called him really did some bad things. The all “sex by surprise” thing.

I don’t know what is going to happen with his arrest but the fact that a lot of people find normal that once you say yes to have sex automatically means that whatever happens after saying no is invalid ,really confuses me. The dude has to finish is that it? Seriously, WTF.

The thing is if Julian had been a bit more of a gentleman or let’s say if he hadn’t been a complete douche on a booty call, Wikileaks and him would be in a very different –and I guess better- situation right now.

Bummer.

Categories
Me Myself&I

Stoopid

People are not stupid.

First, we always say “never underestimate your enemy/opponent” but we’re still so eager to consider that a vast majority of people are dumb? It doesn’t make sense and I always had a hard time to deal with this stereotype. And something is always going to remind me that now.

It was two years ago or so, I was visiting my foster parents in the countryside. One of my foster dad’s friend was coming over. He’s a farmer, he looks like a farmer, smells like a farmer and never drinks water if you know what I mean. I swear you would think he’s straight out of the Middle Age with his tanned face and bad teeth (for the ones still here).

Anyway, he’s having his glass of Pastis 51 (sans water) and we’re chatting briefly, I’m saying that I’m about to go for the first time in the US. He’s looking at me, his iced-blue eyes wide open.

And there, I’m an asshole. I think that I made him dream, I think that he obviously never left the region in more than sixty years, maybe went to Paris.

He’s telling me that he’s been to Chicago once. I’m like, maybe a trip to see a John Deere’s convention. But he’s explaining to me that he went there to bail out a cousin, who had been in jail after some serious problems with these people. So he had to bail him out, drive him back in Chicago, deal with the lawyer…

I know. I was amazed in every way. That he could do that, amazed at how I felt superior and so shitty so rapidly there after.

I was happy. Not just for the slap in my ego’s shitface, but simply because it gives hope and trust that people are capable. People are capable and not dumb. They learn.

After they know, it’s all about persistence.

Categories
Audio&Games

Learn Up

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Basically

By seeing this funny picture on the internet I couldn’t help but think about something Roberta Williams said more than 10 years ago:

Back when I got started, which sounds like ancient history, back then the demographics of people who were into computer games, was totally different, in my opinion, than they are today. Back then, computers were more expensive, which made them more exclusive to people who were maybe at a certain income level, or education level. So the people that played computer games 15 years ago were that type of person. They probably didn’t watch television as much, and the instant gratification era hadn’t quite grown the way it has lately. I think in the last 5 or 6 years, the demographics have really changed, now this is my opinion, because computers are less expensive so more people can afford them. More "average" people now feel they should own one.

Which is a good thing. For some people it might feel like a loss of power but technology needs to spread out over the world to really make a difference and spread the computer entertainment as another source of joy along with music movies books and tv.

The problem was not about more people accessing computers and consoles. The problem was that for economical and technology reasons since the 90s, the game industry suffered extreme genre-ification. Which was also ok on the social aspect of games because people love to put things in boxes (think music styles). The genre-ification pushed certain game design rules that are always the same since then, just getting better at maintaining the player in the game. The graphic sausage fest did the rest to keep eyes off the fact that we can do something more compelling than just a dumb car simulator or a dumb war simulator. For the 1000th time.

Interestingly though, since more than ten years consumers, gamers are getting more and more confident with interfaces, menus and interactiveness: WoW, Internet, Facebook, Nintendo DS, smartphones, you name it.

So saying that people need simplicity because the majority of them are dumb and bored people with boring jobs is not only disrespectful, it’s simply not true. People are getting better at everything, all the time.

People like to learn, it’s a core part of the brain, it’s the natural high we experiment since we’re starting to not poop in our pants and feeling good about it. Games are about learning, that’s where everything is going on. In the 80s early 90s games were awesome because of that, there was a huge variety of games and you had to spend some time to understand and enjoy them, would it be an adventure game on PC or a shoot’em up on console or MechWarrior II. You had to learn how it works and enjoy it. The time to learn didn’t matter, it could be fast with an arcade game or awfully long with a flight simulator but you were always learning something on your own. The only problem with these games was that penalties were usually not cool (die all the time). But that’s not why we were playing these games over and over, trying new things, experimenting. It was because they were open to you to express your smart ass on how to solve this problem in the game would it be a puzzle a boss battle etc

Today’s big games don’t want you to learn. They want you to “have fun” and control it tightly (linearity and achievements). But having fun is after the learning part, it’s when you feel that you groked enough to be able to look back and think “yeah, this is fun” right? It means you understood. For me that’s why so many games feel shallow. You don’t learn on your own you’re now at school, waiting for grades and told that you cannot run in the hallway. How lame.

I regret that you can’t learn to get better at a game by understanding concepts or paradigms by simply entering a new world after launching it. These days, it’s so rare.

It works, it worked. But also I’m sure it would work because people are not stupid. More in the next post.

Categories
Me Myself&I

My foster dad

It’s a strange feeling to see someone so important in your life getting so close to death. I feel stupid because there’s no surprise, cancer is a bitch. Two years it’s been going down, slowly. No surprise.

But I’m all like fffffffuuuuuuuuu.

I just wish I could be there helping him dealing with the pain, helping her with him. Maybe a last joke or two. Or three.

Categories
Audio&Games

Gotta love music licensing

The business of music games is unsustainable and it’s not really because of the high price of devices or sort of shrinkage of the market. It’s because dealing with music –I mean rights to use it and so worth- is insane, truly insane.

Axl Rose is suing Activision even though I’m sure that the publisher legal/licensing lawyer team did everything they could so that it doesn’t happen. Fail. Not that they’re not qualified but because it’s pure madness and that at the end, the artist/rights owner has the last word.

Rock Band is facing that too. You would have thought that Rock Band 3 track list would be amazing when it’s actually quite limited. The Beatles Rock Band has been an insane amount of work for just one fucking band. And it didn’t even sell well despite one of the biggest marketing campaign ever for a game.

Dance Central has the same problem. If they want to get Michael/Janet Jackson stuff which are kind of the Beatles of dance, Harmonix will have to work not on the game but on legal issues and boring stuff like that. I bet the Jackson family is no joke to deal with.

The only thing they could do would be to use music people don’t know. You know, really go out there and discovering good songs and bands but of course, it’s hard AND people want to play songs they love. But in terms of rights, it would be much more easier to make deals. But maybe the gameplay is not that deep and really requires the “Look! I am so Slash with my plastic axe” to achieve pleasure.

But in general the music business is unbelievable. 

Why the more user threatening region locked online services are always about music? Look at Spotify, losing money despite a business model and revenues. Why the music business is so paranoid and never respected its customers since people stopped buying vinyls? They sue people downloading music, customers for millions of dollars. They screw any streaming service with licensing fees, one by one. A decade after the p2p revolution, they still do it despite that it absolutely fails to stop anything.

They screamed with the tape recording thing and then fucked us hard with insane CDs prices (cost of CD always has been extremely low for them).

They screamed with Napster and then fucked us hard with insane file prices (cost of mp3 storage, hahahahaha).

The music business is just greedy as hell and deserves to bleed. Natural selection style.

Then probably music games will come back, stronger than ever. Because Music is one of the most intense play in Life.

Categories
Audio&Games

With games,

I have a hard time dealing with or can’t stand

Voice over

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“Shooryuu-ken!”

It’s probably because I’ve been behind the scene watching and recording uninspired actors (hey it’s really hard to act without nothing but a few notes and pictures) who don’t give a shit about games but still. Scripts usually are ridiculously corny and phony and what is considered good (GTA IV, Uncharted) is not that great in the real world of screenplays. I hate all of the moments in Half Life 2 where NPCs talk to you. It feels so artificial, forced even if it’s well executed. I really prefer sound effects with voices, ala Arcade (Torchlight’s “Your pet, is overburdened”) and light text I can quickly skip. Is it wrong wanting to play when you’re playing a game? Right.

Japanese RPGs

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It just feels archaic to me. I mean, always felt this way.

Talking about text. I just don’t understand how players can bear all these text boxes everywhere, all the time and move around with a goddamn gamepad. It’s just totally getting the fun out for me. I feel it as totally disrespectful. I admire people who can deal with it for dozens of hours for the sake of a cheesy romantic story and a sense of power. Or do I?

Grinding

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Persistence wins but persistence for persistence is not a goal.

I waited for a well crafted action RPG game like Torchlight to get into it and try it at least, even if I saw so many souls lost clicking forever and beyond in Blizzard’s crack cocaine games. I don’t like the grind because I feel quickly bored after having a system in the system (dungeons, selling, enhance, repeat). Also, I feel cheated or artificially maintained in scarcity. The grind is so present in games today it’s… Depressing. I know it’s also useful but still. I have enough to deal with in real life, thanks.

3D third person view

Golden Warriors
Makes me want to stab him in the neck.

3D. Because in bitmap I don’t know, it’s fine. I already said it, I hate it. A nightmare for developers because gamers will always say that it’s not good (I only see Mario/Zelda as pretty much perfect), a nightmare for gamers because somehow in the game they will lose because of the freaking camera. The use of TPV is useful for sports games and simulation/race games but otherwise, it seems lame to me.

Stories

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Some artwork is enough for me to create some theme and make me believe.

Don’t get me wrong, as a human being I love stories. I freaking love a good story. I don’t have any movie I like better than the Cohen brothers ones and they’re always pretty simple but how characters, lines and editing are unfolding the plot is pure awesome. But in games, oh boy. Unfolding a shitty and painful I’m-taking-myself-way-too-seriously story every time I stop playing –cutscene-, is totally useless in term of game experience. Serialized coitus interruptus, worst design ever.

Platform

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The Mickey of the last 30 years, Mario.

OK, I’m pretty bad at them, always been (I’m pretty good at shoot’em up). I know that the genre is really part of the culture. But even with new nifty mechanics like in Braid or VVVVVV, there’s something utterly boring about playing a “new” platform game that I’ve been playing every year since I play computer games. If people are tired of FPS they should be from platform games too because seriously.

That doesn’t leave me with a lot of choice out there but I have enough nonetheless.

You?

Categories
Me Myself&I

Both

I read a couple of threads out there about the US and the lack of culture VS Europe and its abundance of culture. I feel I have something to say about it.

First, it should be separated between output of culture (creation, content gets out) and input of culture (consumption, content gets in).

There’s no debate about what the US brought in our human culture. I’m just thinking about music and it’s overwhelmingly a US thing since 100 years. The output volume is gigantic.

In terms of input though, the US are pretty bad and it makes sense because they’re a lot busy creating and thinking $$$. Europe is the consumption place.

I was thinking the other day that my friend and I had access to US music that was not even commercially successful in their own country at this time –94, Korn-. Thanks to a lot of passionate people in the chain, we had access almost in real time to what’s hot in California and across the world, with just one store in the suburbs of Paris.

I’m sure people didn’t have access to what’s hot in Marseille or Osaka in a store in Portland at this time.

It’s an old thing: English people were consuming US black music like crazy (that’s how the Beatles and so many others are born, playing RnB stuff they bought  on 45s, excited) when all these musicians were poor if not homeless or about to die anonymously in the United States, their country. Hendrix was already a star in Europe and despite having played more than 10 years in his country, the US needed Paul McCartney’s recommendation of Jimi Hendrix band for Monterey to actually approve the talent of the most famous lefty in the world since then. Kind of pathetic.

This tells so much about what culture is about in the US: making bucks first (Zynga market valuation, so not right).

I remember reading Miles Davis biography being mad because he was unknown in his own country while he was a god in France. Same with Booker T and the MGs. Same with Quincy Jones etc. Once I had a private message on YouTube asking me: “how did you see this band ?? They’re from L.A. I’m in NYC and I’ve never seen them here ever!!”. Saw them twice in Paris, for cheap.

Europe culturally just likes anything new to consume. We had mangas almost fifteen years before they hit the US. In France the connection with what was going on culturally in Japan was as short as a few years. Without internet.

But it’s not just with culture outside of the country. When I see that the Sequoia National Park, a few hours away from L.A. is almost unknown to people in the city, my European brain doesn’t understand: these trees only grow naturally here, these are 2000 years old living organisms, there are two of the biggest trees in the world… I mean If California was in France, everybody living in L.A. would have done a trip in this forest and be bored about it. Yeah, yeah giant trees whatever…

Stax Records. Look at this fucking list of artists. The legendary studio A recorded some of the most immortal US music ever. Of course it has been destroyed:

The Stax studio was sold by the Union Planters Bank to Southside Church of God in Christ, located nearby on McLemore Avenue. Except for a brief time when it was used as a soup kitchen, it was allowed to deteriorate so it was torn down in 1989.

It’s like the UK destroyed Abbey Road Studios which started in 1931. Well, they didn’t:

At the end of 2009, the studios came under threat of sale to property developers, but the studio received historic site status from the British government in 2010 to protect it.

The US have a real problem with long term, sustain and respect keywords. They are too busy creating and successfully exporting entertainment –a big part of culture- while ignoring a bit too much everything else including local things that don’t make a shitload of money. During that time in Europe the creative success is usually weak, unsupported and doesn’t go much further than its own national borders while if you haven’t seen this super weird and obscure movie from New Zealand that just got out you totally suck. And if you don’t know some US trash TV or don’t listen to that 3 month old Canadian indie electro rock band you suck even more. This cultural elitism is so poisoning sometimes.

To conclude, both world are unbalanced.

Categories
Me Myself&I

Like puke taste

Read this NY Times article yesterday (if the article doesn’t show up, copy/paste the title in Google and then click the link). Can’t really get my mind off it. Cold hard facts:

  • "Only 12 percent of black fourth-grade boys are proficient in reading, compared with 38 percent of white boys, and only 12 percent of black eighth-grade boys are proficient in math, compared with 44 percent of white boys."
  • Also, young white male students who are in poverty do as well as young black male students who are not in poverty.
  • "In high school, African-American boys drop out at nearly twice the rate of white boys, and their SAT scores are on average 104 points lower."
  • Only 5% of college students in 2008 were black men. At the same time, black men were incarcerated more than any other demographic group—at 6.5 times the rate of white males.

Between that and thinking about what I see here in L.A. or what’s happening in the South after Katrina, all these families broken etc

For the first time in my life about this racial issue, I feel hopeless. Desperately hopeless. How to break the loop, I don’t fucking know.

In France well it’s not as dramatic but it’s awful enough. It’s like black people there saw how much the US way wasn’t working during the past thirty years and how hard it was for a handful of them to succeed. And France has a colonial past, meaning a past of slavery with its minorities that makes some people able to hire illegal immigrants from Africa, get their passports and make them work for 20 years without doing nothing to legalize their situations. It doesn’t feel like an open environment to succeed for their children. It’s survival, by any means necessary, anger, violence etc Add the fact that the culture of praising self made people is inexistent and you have a recipe for disaster.

Meanwhile an old white man is dying in its old white small village, a man that a lot would consider racist though he took care of me for six years, made me jump on his lap and has a giant picture of me above his bed. I don’t know what connection we have, it’s hard to define. But we have it, no matter what. By reading all that stuff on black people vs the world it seems inconceivable but this shit is real to me. Real. Defying the norm and reducing it into powder.

Extremely lucky. Extremely isolated too.