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Me Myself&I

lol weak ass

When a DNA Test Shatters Your Identity

The man St Clair thought of as her brother only shared enough DNA with her to be a half sibling. In fact, she didn’t match any family members on her father’s side. Her biological father must be someone else.

“I looked into a mirror and started crying,” says St Clair, now 56. “I’ve taken for granted my whole life that what I was looking at in the mirror was part my mother and part my dad. And now that half of that person I was looking at in the mirror, I didn’t know who that was.”

The DNA test didn’t erase her happy childhood memories, but it recast her entire life up to now.

I’m always wondering why white people will tell me that the color of my skin doesn’t matter but as soon as DNA is telling them that that’s not really their sibling or father here, they cry and lose their shit, starting FB groups support and all. LMAO. It’s a trip.

Of course there are plenty of secrets and affairs and stuff. It’s as old as the world. But white folks are discovering that, for some reason. Thinking they’re “perfect”. No, you might be the result of a mess. It’s fine.

Who you are is who you are. Your experiences. The way you treat others. That’s you. That’s all. Who made you doesn’t matter. How, doesn’t matter either. You are you. If you’re older, had kids, own a house then be fucking happy and/or learn new shit but don’t dwell on how your dad wasn’t really the one you thought he was. That’s completely unproductive.

So when a DNA test in 2015 revealed her biological father was likely African American, it clicked into place. But her mom denied it. “She wouldn’t answer me. She would change the subject,” recalls Lisa. When she kept pressing, her mother broke down, saying it would destroy the family and that her dad—the man she grew up with—would kill her. She refused to say anything else about Lisa’s biological father.

Wow.

But once again, that doesn’t change your life now or in the future. You are who you are. If she had a little thing for black music or spices well now she knows why. That’s it. Yes, your mom had sex with a black man. That sex stuff happens a lot, it turns out. Move on. This weird “but what does this mean?” question? It doesn’t mean anything. There’s no meaning in having kids, people. Ideally you want them, sometimes you don’t. They just happen, we happen.

Personally I might have been the result of rape. Or tender love. Or something in between. I will never know! It doesn’t really matter. It’s cool to know I guess, but it objectively doesn’t matter once you’re an adult.

Freaking out about your DNA ancestry is some kind of privilege.

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Me Myself&I

We are bad

Estimates from 2010 suggest that as many as 150,000 individuals (roughly 2% of the population of Katanga) were involved in artisanal mining. Government officials have said that hand-dug cobalt accounts for around 20% of the DRC’s total exports of the mineral (in other words, 10% of the total global supply).

Those estimates are 8 years old, when cobalt demand hadn’t increased like crazy. It is likely that they are many more people hand-digging cobalt now. It probably doubled.

The government is surely corrupted to no en so there are no official accounts of how many people are actually slaves for tech and never will. We just know that kids as young as seven are digging up to 12 hours or more a day. So that you can get notifications on your phone that you will promptly ignore.

Because cobalt prices are already extremely high when a large part of its extraction is done at the lowest cost possible –slaves or machines–, thinking that we have enough of that mineral is totally missing the point: cobalt prices will explode. If people were paid decently, it would already be unaffordable for tech companies. This, I hope, will happen. The DRC will otherwise, explode again. Which would compromise cobalt extraction too. So either the price goes way up or no more cobalt because of war. Either way, our batteries overlord are screwed (though they probably have been hoarding for those cases). Ugh.

Seven of the 26 companies did not respond when contacted in 2015. Thirteen denied using cobalt
sourced from the DRC or connected to Huayou Cobalt, without offering any information that would allow these claims to be verified.

And then there’s this entire BS going on where no one, government, holdings, companies are accountable for anything. They all wave some bogus reports and attempted regulations. Hide behind supply chains and policies. Every actor in this mess is closing their eyes. It’s a disaster for the people of Congo.

We are bad.

The report.

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Me Myself&I

Loyalty

I believe loyalty is crucial in society. I believe it’s the human being sustainability. That’s how we build things like family and dynasties and just good old, nice relationships. That’s how we curate our world by being loyal to who and what we think is good. That’s how we change the world.

Loyalty has been hacked and soiled by greed.

Of course, we can be cynical all day and tell ourselves that loyalty doesn’t matter or exist, fuck y’all I’m about me etc. But at some point, you will be on the other side.

Worse, at some point it totally destroys trust within society, which is where we’re at now, a bit.

Take something light like those basketball trades for instance. Demar, going to the Spurs because the team he gave everything to, and he really gave a lot, decided to “do something” to win a championship. Demar has been leading the Raptors in scoring for five years? Doesn’t matter. Investors want their trophy now. Same with Kawhi and his uncle. How can you want more than a team with which you won your title and made you who you are, ready to give you $221M for five years of service, and you’re not happy? Because you want more perks? Damn. It’s absurd, annoying and disappointing.

So greed corrupts things and the world changes and moves in a way that fosters more ruthlessness and short-term vision. It’s so weird (yet makes sense, we need loyalty somewhere) then to only see loyalty being about brands and corporate stuff. People are fanatics and will pour a lot of energy to show off how dedicated they are to a company, a brand, a product.

It’s no good. *puts society in reverse*

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Audio&Games

The Incredible Machine

The experience of working through the stages of a solution, getting a little closer each time, is almost indescribably satisfying for anyone with the slightest hint of a tinkering spirit. The Incredible Machine wasn’t explicitly pitched as an educational product, but, like a lot of Sierra’s releases during this period, it nevertheless had something of an educational — or at least edutational — aura, what with its bright, friendly visual style and nonviolent premise (the occasional devoured mouse excepted!).

Man. Not only this game was fantastic and refreshing, it was very well executed. I enjoyed playing it in the evening after an afternoon fighting bad guys on consoles at my friends’ house. I would go back home and launch this puzzle feast where instead of following rules, there was none, outside the physic-based world emulated in The Incredible Machine (TIM).

I have a strong memory of feeling that TIM (and Lemmings, and Shufflepuck Café) was showing me that computer games could be absolutely anything. TIM was one of those games that made me want to be part of a development team. So much excitement from the game and the prospect of making games, firing up people’s synapses.

It thus manages to succeed as both a goal-oriented game in the mode of Lemmings and as a software toy in the mode of its 1980s inspirations.

Exactly!! Do I miss this from games. That agency. That scalability. People talk about markets, and how TIM was casual. It really doesn’t mean anything to me: you could have been playing hardcore TIM, building absurdly complex machines for hours on end. You could just try to finish a level before dinner. I’m in love with the idea of games being scalable to different lives and different people.

I feel like this is the right (and really hard) thing to do.

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Me Myself&I

9818

It’s 1998. A French multi-racial team is in the final. We’re about to face Brazil and we’re just happy to be there. 3-0 later, for the first time ever, we’re world champions. We. Oui?

I still remember jumping in the car with my girlfriend, beating traffic to meet up with my best friend on the outskirt of Paris. It’s hot. It’s dark. Street lights are still orange. We’re all together. In France people don’t hug, ever. During that night it’s the opposite. We’re hugging en masse. I can’t forget that old, small white man hugging me and another brown person right after because that would have never happened in any other occasion, unless plastered to oblivion. I can’t forget the Louvre’s security guards waving their torchlights. My eyes were misty. 9/11 hadn’t happened yet. I still get emotional about that beautiful night. I know the dream.

It’s 2018. A French multi-racial team is in the final. We’re about to face Croatia and we know we can beat them. 4-2 later, for the second time, France is at the top of the football world. We. Oui? Nah.

I am watching the stream from my home in south LA. After the first half I am on my playground, shooting 3s. Knowing what the news are going to spit. How beautiful and diverse France looks like etc. I’m mad at the state of the world. A man died in Chicago the night before, shot by police. He was black. A man died in France a couple weeks ago shot by police. He was black. Both run away. Just in case.

But people will tell you that no, really, things are fine or getting better. Things don’t change, they barely mutate. That part where we’re black and brown and only appreciated and giving opportunities on sports fields. I live this shit. I see it with my own eyes, feel it with my own heart. I still fall short on my job applications. Despite everything. Qualified, over-qualified, recommendations, it don’t matter.

I believed things were improving during that first world cup triumph even though I could already smell the bitterness. The French corporate world has an absurd lack of diversity compared to life in Paris or around stadiums. It’s frightening. It’s as if France was as segregated as the US!

And then I became a migrant. I know I have no other choice but be legally perfect here because otherwise ICE will show up, put me in jail for weeks or months before sending me back to France. That’s real. But I can enjoy some black things with black people and then everything is peaceful as fuck. Clarity is succulent.

“but they’re French so YOU are racist if you say the team is African.”

French citizenship and blackness are not mutually exclusive. But we also know how it works out: you win a world cup, you’re French. You’re unemployed, you’re some African booty virus. I lived that too once I had trouble speaking French after a few years speaking English, the vibe wildly changed towards me in Paris. I wasn’t a French customer anymore, I was a nuisance.

France has the fantastic power of becoming collectively blind at will. France constantly denies, minimizes its colonial past and how it impacts its present. It’s very uncomfortable.

Yes, I talk about all that in my book.

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Audio&Games

There are tools. Use them

I love Ron Gilbert. I still have to play Thimbleweed Park but the development blog has been a delight for anyone wondering how games are made.

Ron Gilbert is more than just a veteran game developer. He is a designer and a programmer with over FORTY years of experience making games. There are not a lot of people alive right now that match that vast amount of game development knowledge.

And yet, he underestimated the audio/sound aspect of his last game. I’m not bashing him, I’m glad he talked about it in this blog post. But my #gameaudio mind is like “this “we care about sound” but we do the exact opposite of caring about sound bullshit again”.

It’s a constant with most programmers: they adore tackling tasks from the ground and do them on their own. “A sound engine? That’s NOTHING. It’s just streaming audio data, volume curves up and down, fades. LOL. It’s NO-THING.”

And then, most of the times, it’s not nothing. It’s big, complex and viscious. Programmers then sweat and ruminate like bovines.

His designer mind should have taken over to tell him “think long term, you idiot ego. Delegate.” It’s true that FMOD and Wwise are a bit overkill feature-wise for a lot of games. The price can also be an issue. But for instance FMOD brings you a game audio engine that’s been tested and approved by thousands of games over twenty years, that has become a standard for game audio designers around the world in the past two decades. It shouldn’t be discarded that fast. It’s a bit maddening that it’s not sort of common sense for experienced people like Ron. Let’s be blunt: it’s totally maddening. I know the parallel is not perfect but imagine a movie director being like “yeah you make the sound using that? It’s an industry standard? Well we won’t use that. We don’t know yet what we will use, but not that”. That’s plain weird.

What are we doing?

If you care about your game, think and work with sound as early as possible. Hire game audio designers. Trust them. Let them iterate like you are, early on. Spend some bucks on the audio stack, even if you don’t see why. You’ll hear it soon, and that will make an entire difference (think about Zelda:BOTW).

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Me Myself&I

3 Twenties

I got attacked by a dog while strolling to get some food in DTLA the other day. I didn’t flinch. I let him come to me, barking and running. I stopped. He jumped. I screamed. It hurt. I thought he had taken a bigger chunk of my stomach but he only printed his mouth next to my belly button. I’m okay. 6 teeth up, 6 teeth down, 12 scars. For years to come.

The building management slapped the dog owners with a $100 fine. The owners gave me $60 for uh, I guess not suing them or calling the cops on them. This dog owes me a lot. Fuck this dog.

In the end, the owners estimated that my wounds and trauma were worth less than trespassing rules. Twenty bucks times 3. Basically nothing.

I’m tired.

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Me Myself&I

It will be concrete

I have to find a new place to live and I’ve been reading a lot about architecture so I’ve been thinking a lot about my house project.

It will be made of concrete, 3D printed.

It’s too convenient and efficient to not be the first choice.

Concrete pool house
Prefab concrete pool house with nature and shit, my kind of aesthetic

At first I really wanted to go for hempcrete because it’s the best material in the world but there’s one big problem: you can’t use it for structural work, meaning you need a frame (likely wood) to build around with your bricks of hemp. It’s not an issue per se but if I build somewhere in southern California and some idiot drops a cigarette and my hard work burns down… I will indeed, lose it.

Concrete doesn’t burn. But also, if it’s destroyed by a meteor or an earthquake, I just need to pull out the 3D file and BAM. Harold’s house II is up again. I feel lucky to live our times, sometimes.

Another great thing about printed concrete: you can, like the picture shows, do whatever shape you want. I would still use hemp inside for insulation, walls and room separation but definitely not for the outside.

Now I’m dreaming of a green roof. Because those fuckers reduce cooling loads by fifty to ninety percent. The only problem is that they’re heavy. Not for my strong ass concrete house!

Stay woke.

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Me Myself&I

Horizontals are back

I love horizontal lines. At the movies, in front of my 16:9 monitor ratio, outside in cities and nature… More width, more view, the better. Our field of vision is wider than it is taller.

Reading about the horizontal development in the US  and understanding how technology (cars, factory assembly lines, highways, malls) and society through federal financing and fear of crime pushed the landscape to follow a horizontal plane.

Now the car culture is down (though of course, most people have one and if it’s a new one, it’s mostly silent and economic), technology is up (mobile computers, bitch!) so people want more verticality so that they move less and with their feet (or electric scooters, obviously not the best to transport you for a few miles). Also, greed and maximizing profits from a piece of land (every floor is basically a 100% increase of revenue).

BUT

I think it’s reversing again. Driverless cars, 3D printed houses (or prefab), telecommuting are pushing for sprawl for the next couple decades, which is a pretty natural thing to happen contrary to what we think.

The convenience is too staggering to be passed on: the amount of peace of mind generated will be unavoidable. Want to go somewhere? Order a car and pick up some friends on the way. Ready to build a house? Not now? Your file can be printed anytime at any scale. Your future home can be rescaled to your need with a shift+drag or pinch to resize gesture. No need for BS builders or contractors. Want to work outside by the tree? You got it. You need to be dropped off at the office, one hour away? Hop in the Level 5 car and listen to that new album while closing your eyes.

Oh, I’m ready.

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Music

Azealia

I think she’s amazing and I’d totally love to produce some tracks for her.

There’s something rare about miss Banks: she’s pure intersection. At times bad bitch, at times cute naïve girl. She innovates and next second she’s timeless and classic. The mix of house, hip-hop R&B and garage punk is hers. She masters that shit. She has her own way of eating words, changing her accent, inventing meaning and breaking lyrics convention while empowering and dissing over dance music. It’s overwhelming, dense and I love it.

I feel her when they compare other acts to her energy and skills: please don’t? She’s artistically way better.

Her social media stuff? Whatever. Social media is about getting engagement and lights on you too. And there’s the circus of media engaging people over what the “crazy” Harlem artist said, profiting. Read about Marvin Gaye’s late personal life and see if you can still hum his stuff.

What’s a bit annoying to me is her output is scattered. Some producers don’t get her and the track will be OK but not bang. The all remix/EP then album re-using some tracks from those, that’s annoying. It’s hard to make consistent albums though. And, it’s probably hard to keep a direction with a multi-faceted talent like Azealia. But also, labels and contracts. That shit is crazy and will delay and water down your output.

Treasure Island, her last single, is dope af.